New user? Get started!
From now on, only Content Distribution torrents are allowed. Read the blog post | Learn more

Download the Mininova toolbar!Install the Mininova toolbar and stay up-to-date with the latest torrents. It's free and fast, installation takes a few seconds.
www.mininova.org/toolbar.php

Funny and cool videos on Snotr.com!Check out our other website: Snotr.com! Funny videos (safe for work)... if you like Mininova, you'll love Snotr.com!
www.snotr.com

Der Golem (Wie Er in die Welt Kam) [1920] - P. Emerson Williams Score

Download!

Download this torrent!

 or use the magnet link

6 seeds, 2 leechers

To start this P2P download, you have to install a BitTorrent client like Vuze.

Advertise here

Category: Movies > Drama

Total size: 275.68 megabyte

Added: 154 days ago by Choronzon

Share ratio: Excellent6 seeds, 2 leechers

Last updated: 10 hours ago

Downloads: 1,788

Alternative download: This download might also be available on Usenet. Click here to download the UseNeXT client.
Or search for similar torrents.

Advertise here

Description:

The Golem: How He Came Into the World (original German title: Der Golem, wie er in die Welt kam) is a 1920 silent horror film by Paul Wegener. It was directed by Carl Boese and Wegener, written by Wegener and Henrik Galeen, and starred Wegener as the golem. The film was the third of three films that Wegener made about the golem, the other two being The Golem (1915) and The Golem and the Dancing Girl (1917). It is a prequel to The Golem and today the most widely known of the series. The film concerns itself with the legendary creation of the golem, which had appeared in the earlier films, by Rabbi Judah Loew ben Bezalel. In the 16th century, the Jews of Prague face persecution. Rabbi Loew creates a giant golem out of clay, to protect the people. Unfortunately, the creature rebels and wreaks deadly havoc. In the end, a small girl stops the golem by removing the magic star from its chest. Architect Hans Poelzig designed the sets, a reproduction of the medieval Jewish ghetto of Prague. He designed them specifically to be filmed, creating highly expressionist imagery. The cinematography of Karl Freund, in collaboration with Poelzig and Wegener, is cited as one of the most outstanding examples of German Expressionism. The score for this version was composed by P. Emerson Williams.